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Oregon Humanities: Summer 2009
I’ve never been much of a traveler. Growing up in Hawaii, I was prone to motion sickness, and even short drives around the island made me nauseous. And as an adult, I’ve never felt the wanderlust that strikes so many other people I know. I’ve always preferred, instead, to find a small patch of the world to settle on and call my own.
Perhaps—motion sickness and homebodiness aside—this is because I’ve always been uncomfortable with how travel makes economic inequities painfully clear: several of my family members rely on Hawaii’s tourism industry for their livelihoods, though they can’t afford the plane fare that would take them off the islands to explore the world themselves. Hawaiian sovereign rights activist Haunani-Kay Trask took a hard line on tourism when she spoke at the University of Oregon’s environmental law conference many years ago, eloquently and passionately describing the problems that befall local economies dependent on visitors. When an earnest young man in the audience asked how he could better know and understand other cultures without traveling, Trask brusquely replied, “Read a book.”
But I understand the allure of a journey and see the life-changing effect globetrotting has had on some of my closest friends. Pico Iyer describes travel as a means of guiding us toward “a better balance of wisdom and compassion—of seeing the world clearly, and yet feeling it truly,” adding that “travel is the best way we have of rescuing the humanity of places and saving them from abstraction and ideology.” Given these lofty outcomes: a firsthand experience versus a chapter in even a well-written book? No contest.
However, being away from one’s homeland isn’t always a desirable state, but rather is sometimes a forced condition. As Edward Said writes in his essay “Reflections on Exile”: “Our age—with its modern warfare, imperialism, and the quasi-theological ambitions of totalitarian rulers—is indeed the age of the refugee, the displaced person, mass immigration.” Although Said steadfastly warns against romanticizing the exilic experience, he quotes Hugo of St. Victor’s famous words about the perfection of seeing “the entire world as a foreign place” and concedes that there may be benefits to being unattached to a place. After all, if anywhere is away, then anywhere also has the potential, if only for a limited time, to be home. Even someone like me, who bristles at the thought of being untethered and adrift in the world, can understand the power in “acting as if one were at home wherever one happens to be.”
In the pages that follow, you’ll read about the experiences of Slavic and Somali Bantu refugees, an illegal Mexican immigrant, an American travel writer, an influential Oregon architect inspired by Far Eastern landscapes, an Army wife anticipating her husband’s departure, and a married man contemplating the threat of being apart as the very thing that binds people together. Whether these stories explore away as a physical or psychological state, as a possible future or a done deal, they all hint at the human desire to be rooted and belong—not only to a place but also to other people. (Of this, Iyer writes, in a strange but compelling statement that reads almost as an afterthought, “The most distant shores, we are reminded, lie within the person asleep at our side.”) In this sense, away is about attachment and detachment, about allegiance and commitment, about seeking and, if we’re lucky, finding.
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Staff, advisors, etc.
Scott Nadelson’s most recent book is The Cantor’s Daughter. He teaches creative writing at Willamette University.
Karen Karbo‘s three novels, as well as her Oregon Book Award–winning memoir, The Stuff of Life, have all been named New York Times Notable Books of the Year. Her most recent book is The Gospel According to Coco Chanel: Life Lessons from the World’s Most Elegant Woman.
Lisa Radon has written about art and design for Portland Spaces (as associate editor), Portland Monthly, Surface Design Journal, SHIFT (Japan), FLAUNT, Hyperallergic, and ultra (ultrapdx.com). She’s written a handful of catalog essays and is working on her first book.
R. Gregory Nokes has worked as a reporter and editor for the Associated Press and the Oregonian. His reporting about this incident has resulted in a formal designation of the massacre site as Chinese Massacre Cove. He lives in West Linn.
Christine Dupres is the former director of the Office of Sustainability and Community Engagement at the Native American Youth and Family Center in Portland. She is a freelance writer and an Oregon Humanities board member.
Lucy Burningham is an independent writer and journalist who lives in Portland. During the past decade, she has traveled on assignment for a variety of newspapers, magazines, and Lonely Planet guidebooks. She holds a master’s in nonfiction writing from Portland State University.
Apricot Irving is a writer and radio producer whose most recent project, Boise Voices Neighborhood Oral History Project , brought together elders and youth in Northeast Portland. She has lived in Haiti, Indonesia, and the United Kingdom, but currently calls Portland home.
Vicente Martinez lives in Portland and works at a fast food restaurant.
Susan W. Hardwick is a professor of geography at the University of Oregon. Her research and teaching focus on the geography of immigration, identity, and place in the Pacific Northwest. She is the author or co-author of nine books, including Russian Refuge: Religion, Migration, and Settlement on the North American Pacific Rim (University of Chicago Press, 1993). This article is adapted from Hardwick’s Commonplace Lecture that she delivered for Oregon Humanities in 2007.
Sarah Gilbert is a writer and photographer who lives in Portland with her husband and three little boys. She writes about food and finance for several web sites, including DailyFinance, WalletPop and Culinate, is cofounder of the Portland parenting resource urbanMamas.com, and keeps a blog, cafemama.com.
Kevin Nute is a professor of architecture at the University of Oregon. He is the author of the American Institute of Architects award-winning monograph, Frank Lloyd Wright and Japan (1993) and Place, Time and Being in Japanese Architecture (2004).
Brian Doyle is the editor of Portland Magazine at the University of Portland, and the author most recently of Thirsty for the Joy: Australian & American Voices, from One Day Hill Press in Melbourne, Australia.
Rich Wandschneider was the founding director of Fishtrap, a literary nonprofit in eastern Oregon, and is now building the Alvin Josephy Library of Western History and Culture at Fishtrap. He writes a regular newspaper column and has written for the Oregonian, High Desert Journal, High Country News, and others. He is on the editorial advisory board of this magazine and on the board of directors for Oregon Humanities.
Ellen Santasiero is a freelance writer whose work has appeared in Northwest Review, The Sun, Marlboro Review, Oregon Humanities, and in a recent anthology from the University of Oklahoma Press. She is at work on a memoir.
Caroline Cummins is the managing editor of Culinate.com.
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.(JavaScript must be enabled to view this email address) | 12 Dec at 11:15 AM
Dear O.Hm.
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